Visit Film Light at NAB 2018!

 
 

Visit us at NAB2018. April 9-12. Las Vegas.


The full range of FilmLight systems will be demonstrated on booth SL4310, including Daylight dailies and media management, Prelight on-set pre-visualisation, Baselight Editions and a number of Baselight configurations.

To book a private demo or meeting, contact Alexa Maza.

Latest Marvel Studios’ epic graded on Baselight


Technicolor Colorist Maxine Gervais and Cinematographer Rachel Morrison discuss their latest project, Marvel Studios’ Black Panther.

“We knew that this was a movie with big themes and a strong story – we knew it was going to be epic. Approaching it was exciting: it was not an established franchise but a completely new departure, so it gave us all more creative freedom.”

 

Case Study »

Baselight 5 evolves with unrivalled features for HDR, VFX and 360 VR
 

FilmLight celebrates success by adding even more functionality for future-proof workflows.

The full range of FilmLight systems will be demonstrated on booth SL4310 at NAB2018, including Daylight dailies and media management, Prelight pre-visualisation, Baselight Editions and a number of Baselight configurations.

Press Release »

ARRI & FilmLight exclusive event at NAB


Get insight on how looks are automatically transferred from set to post with ARRI and FilmLight tools. We will also unveil new features from the soon-to-be-released updates to Baselight v5.

With ARRI’s Christian ‘Geoffrey’ Grafwallner, and FilmLight’s Daniele Siragusano and Andy Minuth.

Monday April 9, 3pm 
Westgate Las Vegas Hotel
(Next to North Hall) 


Register »

Avid main stage presentation: Baselight color for Media Composer


Colorist/Finishing Editor Mike Nuget has a rich experience in grading both high profile documentaries and series, such as Netflix’s Rotten.

At NAB he will share live his recent experiences using the new Baselight 5 for Avid tools, with HDR in mind.

Every day 
Avid booth (#SU902) 

FilmLight at NAB2018 »

Considerations when shooting and posting HDR for movies


HDR has rapidly moved to the forefront in discussions on how to shoot and post premium content. Movies are increasingly choosing HDR as a second order deliverable and are searching for a suitable archive strategy to prepare their content for later exploitation.

Read this article from Daniele Siragusano, Image Engineer at FilmLight, for more.

Article »
 
Pictured:  ARRI HDR masterclass at Camerimage 2017

Meet The Colourist:
Makarand Surte


Redchillies.Color, Mumbai

From prestigious features, to high-end TV shows and commercials, take a look at all the projects Baselight colourists have worked on recently: such as the the film centered around the artist 'Gauguin', the recent 'McMafia' serie, the movie 'The Handmaiden' which has just won a Bafta award as Best foreign language film or the recent commercials from Adidas and Stella Mc Cartney.

Meet The Colourist